Critically analyse the opening sequence of Mike Nichols "The Graduate"(1968)

I want to say just one book to you-just one word. Yes sir. Are you listening? Yes I am. Plastics. -Mr McGuire to gum asa dulcis Braddock, The have(1967) The potassium alum, directed by Mike Nichols and have Dustin Hoffman and Anne Bancroft , was released in 1967 to a gen eonlly rapturous reception. Along with Bonnie and Clyde- which was released in the similar year- The Graduate captured the sprit of the times and heralded a tonic era in pictorial mattermaking. Before this period the unmixed write up that served Hollywood filmmaking for almost 60 years had been criticised for being in like manner basic. provided by 1967, techniques favoured by the French filmmakers of the new wave began to try through to Hollywood. This era became known as the can unmixed era. However as Peter Kramer comments:- Post classicism does non contact to a complete break in American film history; rather the term is meant to highlight the fact that...Hollywood has undergone a specialis e of fundamental changes which deserve critical attention. As Kramer suggests, the changes from classical to post-classical are non clearly defined but it is important to feel there was a significant change. The films coming out of Hollywood post 1967(with exceptions of course) credited the audience with being able to ideate beyond the basic narrative and read symbols and metaphors.

It was entertainment with a brain. In this turn out I intend to crumple the first four and half(a) minutes of The Graduate- the opening duration so to speak. I will look at the mood Nichols uses sound, framing, mise-en-scene and action and converse to set up character and the movies themes. The ! Graduate tells the story of Benjamin Braddock(Dustin Hoffman), a college graduate heading indorse home to Los Angeles from his reading in the east. Benjamin is a manifold and innocent young person who... If you want to get a full essay, order it on our website: BestEssayCheap.com

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