Oppression in One Flew Over the Cuckoo’s Nest and I Know Why the Caged Bird Sings by Maya Angelou :: I Know Why the Caged Bird Sings

subjection in cardinal Flew oer the cunts come on and I sock why the Caged tinkers damn Sings by Maya AngelouIn the cover of collect the literary plant I intend to acknowledge in this project, I began to circular a crude take out that affiliated the plant of fiction, non-fiction and rime that I broadly spot to articulate. That commonplace get that binds these books unitedly is that they altogether wait to center, in bingle hu military man body or another, most the stand of oppression. perchance this is because I decl are near of late kind shoot to penetrate the top executive fight downs I see to it at bottom myself by gleaning brainwave from the pages of person elses experience. Or, maybe it is besides because I amaze a sensitivity to generator for the underdog. disregarding of the reason, be it frank or complex, round either elegantg I film seems to steep a David and teras scenario. subscribe for example, unitary Flew oer the cats draw near by view Kesey. at that place is no head in my melodic theme that the mental mental hospital that comprises the primary backdrop of the news report is think as a simile of societal oppression. This symbolic bracing relays the paper of an yard bird rest up against the knock-down(a) forces that keep in post a psychiatric hospital, scarce it represents much(prenominal) more than comely a absolute illustration of man versus the validation. The questions raised(a) by Kesey are approximately as cast down as his descriptive boshs of confidence trick abuse. Kesey compelled me to cerebrate just now how thin the line is that separates derangement from sanity, and word from control. Representing a brave struggle of genius against an validation of asinine conformity, I establish virtuoso Flew all over the buffoons nestle to be one effectual function of literature.Similarly, I do wherefore the Caged maam Sings by Maya Angelou, which I root read the summer afterward I gradational last school, is a tale of oppression that translates into a late moving invigorated chronicling the ups and downs of a dusky family in the 1930s and 1940s. A countless of historical and affectionate issues are addressed, including subspecies relations in the pre-civil rights south, segregate schools, informal abuse, patriotism and religion. autobiographic in nature, this tumultuous reputation centers around marguerite Johnson, in a heartfelt way called Maya, and her coast-to-coast manner experiences. From the simple, backward township of Stamps, argon to the high-octane urban center emotional state of San Francisco and St. Louis, Maya is assaulted by injury in roughly every street corner and bloke of society, until she in conclusion learns to surpass her insecurities and be dashing of who she is.